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Math in the Media |
![]() Exits on the Pheromone Highway branch on average 53o from the "away" direction, so each intersection reads like an arrow pointing home. Image © Duncan Jackson, used with permission. |
The Magic of Math, in Queens. On November 24, 2004 the New York
Times ran "From Internet Arm Wrestling to the Magic of Math," Edward Rothstein's review of the new wing
of the New York Hall of Science, in Queens. Rothstein glances at the
high-tech baubles of the new installations, but saves most of his
admiration for the Mathematica
exhibition, which the Hall of Science
recently acquired from the California Science Center.
Mathematica was created for IBM in 1961 by the
celebrated design team of Charles and Ray Eames. Rothstein remembers
seeing it as a child: "I still recall wired
structures rising out of soapy liquid, their swirling
surfaces demonstrating solutions of mathematical problems;
the cubic array of bulbs that translated simple
multiplication into three-dimensional patterns of light;
the suspended Moebius strip - a surface with only one side
and one edge - on which a train continuously ran." And he
ponders the difference between this exhibition, assembled
at the apex of the post-sputnik wave of enthusiasm
for science, and the flashier but shallower
productions of today. "Mathematica samples varied branches of
mathematics, not blanching from explaining functions or
projective geometry; contemporary exhibitions set their
sights lower, restricting each display's focus.
Mathematica knows you won't fully understand it all
... . Contemporary displays are more concerned that you grasp a
single concept. They are play stations in a science lesson."
Father of fractals.
That's the title of Jim Giles' News Feature in the November 18 2004
Nature. Benoit Mandelbrot is the Father; the article is
illustrated with a large and spooky
image of part of "the set that bears his name."
Giles gives us a capsule intellectual history of
Mandelbrot, taking him from his 1963 paper on self-similarity in
graphs of cotton prices, through his years as an "academic
wanderer" and the 1982 publication of The Fractal Geometry of
Nature, when "the worlds of math and physics took notice."
After a brief and completely non-technical digression on fractals, we come
to the main point of the paper: Mandelbrot's attitude.
Apparently, he has not been very nice.
"As so often happens in academia, questions of precedence were central."
We hear reports of aggressivity and misbehavior at
conferences. Then
Giles focuses on Mandelbrot and Vilfredo Pareto (1848-1923), who had published
"similar studies on power laws in enonomics" many years before. Giles
claims that in the most recent reprinting of Mandelbrot's
1963 paper on cotton,
"many references to Pareto have been removed." And that one
paper by a third author, Mandelbrot and the
stable paretian hypothesis, appears in the same collection with
a new title: Mandelbrot on price variation. Are we supposed
to be horrified?
In fact Giles ends up
fairly conciliatory: "Even researchers who have been the subject of his
attacks praise his contributions to maths." [A deeper
analysis would examine the divisions in in post-war french society, politics
and science (even mathematics!), and how they played themselves out
in Mandelbrot's career. -TP]
-Tony Phillips
Stony Brook
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