Math in the Media
Highlights of math news from science literature and the current media
April 2002
``Hi-IQ Math Hunks
heat up films, plays'' is the title of a review of Proof
in the March 6, 2002 Fort Worth Star-Telegram. Reviewer
Mark Lowry spends less time on the production than on the
phenomenon, which he quantifies thus:
(Oscar front-runner A Beautiful Mind plus a national tour of Tony/ Pulitzer Prize-winning play Proof) times
(recent movies/plays about mathematicians and scientists, such as
Good Will Hunting, Pi, Copenhagen
and QED) can only equal one thing.
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or, put less formally, ``What movie- and playgoers are discovering is that the kids perennially maligned in high school as math geeks can
grow up to live and work in a challenging professional environment -
and that's the stuff of great drama.'' The result: ``mathematicians as
sex symbols - a status helped along when they're portrayed by the
likes of Russell
Crowe, Matt Damon, Jennifer Connelly and Jennifer Jason
Leigh, who currently stars in the Broadway production
of Proof.''
Lowry got A Beautiful Mind's
math consultant David Bayer to explain
the demographics behind the entertainment
industry's new infatuation with matters mathematical:
``I was acutely aware of how women responded to the story of my working on [A Beautiful Mind]. Three out of four women - even my mother, who is
happily married, is pretty hot for Russell - were taken with the
physical attributes. But then there's that fourth woman. The way you get
to her romantically or sexually is
between her ears. She has an intellectual respect for [sharp] minds.''
Spinning eggs.
``If a hard-boiled egg is spun sufficiently rapidly on a table with its
axis of symmetry horizontal,
this axis will rise from the horizontal to the vertical.
(A raw egg, by contrast, when similarly
spun, will not rise.)'' This from a ``brief communication'' in
the March 28 2002 Nature, entitled ``Classical dynamics: spinning
eggs - a paradox resolved,'' by H. K. Moffatt (Cambridge) and
Y. Shinomura (Keio University, Yokohama). ``... the centre of gravity rises;
here we provide an explanation for this paradoxical behaviour, through
derivation of a
first-order differential equation for the inclination of the axis
of symmetry.'' They prove that the mathematics that accounts for
the motion of the ``tippy-top'' (the mushroom-like toy that rises to
spin on its stem), and which requires a partly spherical surface,
also holds for arbitrary solids of revolution.
The end of the communication:
``Finally, we may note that a raw egg does not rise when spun, simply because the angular
velocity imparted to the shell must diffuse into the fluid interior; this process dissipates most of
the initial kinetic energy imparted to the egg, the remaining energy being insufficient for
condition (14) to be satisfied and for the state of gyroscopic balance to be established.''
Cellular automata at the seashore.
A ``letter to Nature,'' appearing in the October 25 2001
issue (and picked up in the March 29 2002 email journal
ScienceWeek) explains
how ``an empirically derived cellular automaton model of a rocky
intertidal mussel bed based on local interactions correctly predicts
large-scale spatial patterns observed in nature.''
The thick-and-thin pattern of mussel colonisation on a typical
mussel bed has a fractal-like aspect.
J. Timothy Wooton (Chicago) analysed the factors affecting the
spread of a mussel colony, including competition from other
organisms, the impact of waves, and the tendency of mussels to
attach themselves to other mussels. He gathered data
for six years at 1400
reference points in a mussel bed on Tatoosh Island, Washington,
used the data to specify transition probabilities for a cellular
automaton model of the bed, and ran the model for 500 (simulated)
years. At the end, the patterns exhibited by the model were
found to be in excellent agreement with those occurring in
on the site, showing that in this case ``processes such as species
interactions that occur at a local scale can generate large-scale
patterns seen in nature'' (the quote from ScienceWeek).
Math plagiarism,
or at least plagiarism in writing about mathematics, was reported in the
March 9 2002 New York Times. ``Plagiarism that doesn't
add up,'' by Edward Rothstein, tells the story of science writer
John Casti and ``Mathematical
Mountaintops: The Five Most Famous Problems of All Time'' (Oxford, 2001).
Apparently Mr. Casti borrowed unacceptably from the works of Barry Cipra,
William Dunham, Allyn Jackson, Thomas Hales and Simon Singh. Rothstein ponders
the paradoxical aspects of this infraction. Casti had in fact been
quite open with credits and compliments in his annotated bibliography.
``So this case is strange
indeed: credit is generously given and scandalously denied;
the stakes are, in mathematical terms, unusually small; and
the plagiarism is both unnecessary and unsuccessful,'' where this
last item seems to mean that the purloined prose is just
as unintelligible, for the general reader, as the rest. Oxford
has recalled the book.
More about Nash.
Now that A Beautiful Mind has won four Oscars, we will
probably hear from everyone who ever had a Nash moment. Better
than usual was the contribution, in the March 22 2002 Los
Angeles Times, by Daniel Grech:
``What Nash's 'Beautiful Mind' Really Accomplished.''
Grech, a Princeton
undergraduate from 1995 to 1999, witnessed the last few
years of Nash's non-celebrity, when ``Nash sightings - at the Dinky
train station, in the Small World coffee shop, on his slowly
looping bicycle rides - were a regular pastime.''
But beyond musings on the eccentricity of mathematicians (Grech
studied with John Conway), the piece makes an effort
to tell us what Nash's Nobel Prize was for. It explains what
mathematicians mean by a game (``any conflict situation that forces participants to develop a strategy
to accomplish a goal'') and shows in a classic
example how inefficiency can develop in a free market,
although it does not go far
enough to communicate where Nash's innovation lay. Doubtless the
reporter-editor game has some inefficiencies of its own.
The article is available online.
-Tony Phillips
Stony Brook
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